Pedro Zarraluki’s "The History of Silence" is concerned with negative space: with absences, with things that can be defined only by what they are not.
There are moments of real clarity and elegance in "Death Fugue."
A collection of very short stories which bubble up from the subconscious only to vanish as soon as they get to the surface.
In Halfon's "Monastery," our narrator asserts the accidental nature of nationality.
Hagiwara’s poetry is a strange mixture of gloomy wonderment.
Where are all the young Brazilian writers?
An achingly beautiful fictional account of the rise and fall of the Emperor Napoleon
Preussler’s storytelling mastery and gift for atmosphere render this Bildungsroman-meets-Gothic horror both timeless and splendidly, creepily original.
This phantasmal, complex novel of ideas takes place in a “wild, precipitous landscape”
Current events can make us wonder: In times of tremendous violence, do literary questions and conflicts matter at all?
This sense of absence pervades the characters’ ideas of national identity — all of them are personally defined by things they lacked in their pasts, either symbolically, literally, or both.
What happens when a “piteously naked” philosopher-turned-poet decides to pursue philosophy in the form of verse?
In "His Own Man," nations, like the individuals therein, adapt and change such that their contemporary states bear little resemblance to their earlier incarnations.
It is no surprise that this energetic and endearing novel is the work of a writer of such stunning accomplishment as Ondjaki.
In an attempt to combat an approaching aimlessness after his sudden retirement, Gwyn chooses the new vocation of a copyist.
Gonçalo M. Tavares (Does the M stand for Man? Maniac? Master? Certainly not anything as common as Manuel . . .) is a writer that trades in oppositions. And business is good.
It is this instability, this dance between beauty and horror, fear and elation, and this delicate navigation of power, which can turn one into the other, that animates Antonio Ungar’s singular, captivating novel.
Andrei Bitov describes his book "The Symmetry Teacher" as a “novel-echo,” a palimpsest of a text which, as he explains in his preface, is his Russian “translation” of an obscure and untraceable English novel by a writer called A. Tired-Boffin.
Dorothy Tse’s third book, "Snow and Shadow," is a collection of surreal stories set in a fantastical version of Hong Kong.
In each of her five short stories, Nettel places humans under the microscope and examines them at their most fragile and desperate.