This month we present writing from Indonesia, where history and myth inform a rich narrative tradition. For many of the authors here, writing is both vehicle and subject, and their work represents and addresses the art and act of storytelling. Though the writing often turns toward the fantastical, at no time do the mythic elements here overshadow the stark realities and social struggles that permeate these stories: questions of women’s rights, fanaticism and provinciality, respect for nature and its creatures. Hasif Amini interrogates the origin of poetic invention, Taukik Ikram Jamil writes to and of a lover, and Clara Ng's retired teacher agonizes over the daily fairy tale essential to his survival. Mona Sylviana's cad turns a confession into entertainment. M. Iksaka Banu finds an anthropologist embedded with Dutch invaders reliving a tragic episode from the bloody Balinese past. In two tales of revenge, Abidah El Khalieqy's defiant prostitute shows up her client and tormentor, and Zen Hae's sly crow turns avenger. Acep Zamzam Noor mourns disaster and indicts the government response. We thank our guest editor, John McGlynn of the Lontar Foundation, who has done more than anyone to bring Indonesian literature to English-language readers. In our special feature, Tenzin Dickie translates and introduces stories by Pema Bhum, Pema Tseden, and Kyabchen Dedrol.
At the Borders of Homeland and Exile:
Three Tibetan Short Stories
Centering her tale on the love and lust of a young couple in the Parisian underworld allows Garréta to train our eyes on the physical beauty of youth, the sensuality of anonymous bodies, and our preconceptions regarding both. The bodies of je and A***, left bare of gender markers, create the need for a new, more vigilant kind of reading that involves a constant undoing of assumptions.
Most readers of Baboon will have appreciated the way Aidt composed a series of spiky, cutting scenes, full of damaged yet compelling characters, and in Rock, Paper, Scissors the writer expands these vignettes into an extended car crash of a novel.
A Planet for Rent is Yoss’s thinly veiled, scathing critique of 1990s Cuba, using the genre of science fiction to elude censure... Satirizing our fear of subjugation and the other, Yoss’s implementation of aliens very literally confronts contemporary anxieties about immigration and diaspora.