This month, we present writing from Peru, a country whose international literary credentials are most closely linked to the Nobel Prize win of Mario Vargas Llosa. But as the eleven writers here show—via narrative nonfiction, poetry, and short stories—the country is host to a diverse and vibrant literature that extends well beyond the Nobel winner. From the Andes to the Amazon and back to the gritty urban reality of Lima, the writing here traces a new geography of Peruvian literature. Santiago Roncagliolo and Gabriela Wiener venture into the jungle on very different voyages of discovery. Claudia Salazar Jiménez’s protagonist undergoes a gruesome metamorphosis. Carlos Yushimito and Patricia de Souza create worlds of cruelty. Ritual and death pervade the fiction of Fernando Iwasaki, while the poetry of Victoria Guerrero Peirano evokes the sudden inarticulateness of two sisters in the face of illness. In Enrique Prochazka’s Andean tale, hunter becomes hunted. In Julio Durán’s short story, a would-be bond between a political prisoner and his keeper is irretrievably broken. Ivan Thays juxtaposes the Lindbergh kidnapping with a harrowing contemporary version. Thanks to the Peruvian Ministry of Culture, we’re able to bring you a recording of the creation story of the Tikuna people with a transcription of the indigenous tale in English. And after it all, Sergio Vilela looks at what’s behind Peruvian gastronomic phenom Gastón Acurio, whose restaurants and celebrity reach far beyond Peru. We thank guest editor Valerie Miles.
Elsewhere, we introduce an occasional series of writings on translation with scholar and translator Ilan Stavans’s reflections on the multiple renderings of Don Quixote.
Nonfiction from Peru
This month, Penguin Classics will publish Uruguayan author Mario Benedetti’s La Tregua as The Truce: The Diary of Martín Santomé—fifty-five years after the novel was originally published in Spanish. Written as a journal, it is the poignant tale of widower Martín Santomé’s affection for his young co-worker.
Andreï Makine’s A Woman Loved is an exploration of limitations: the limits of our capacity to fully understand another person’s inner life, the limits of art to faithfully portray it, and how we compensate for these constraints by creating narratives.