Crisscrossing the boundaries of literature, theater, and film, Iranian writers draw on a rich cultural heritage and volatile present. Playwrights Bijan Mofid and Bahram Beyzaii dramatize the fall of Mossadeq and the death of Sindbad the Sailor. Tirdad Zolghadr returns to Tehran in a brilliant blend of fiction and autobiography. Behnam Dayani relates a relic of an abusive past to the "MacGuffin" of Hitchcock's Psycho. Kader Abdollah explores the meaning of language in a folkloric tale and a piercing interview with Frits Abrahams, while Firouz Nadji-Ghazvini captures the desolation of an addict in war-torn Tehran. In addition to her luminous translations, Zara Houshmand introduces us to poet Ahmad Shamlou and to the roots of Iranian theater. Finally, Salar Abdoh discusses the style and substance of Iranian film as seen at home and abroad.

Also in this Issue

Book Reviews