Granaz Moussavi was born in Tehran in 1974. She received a degree in screen studies from Flinders University in Adelaide and a postgraduate degree in film editing at the Australian Film television and radio school, and is a doctoral candidate in film studies and filmmaking at the University of Western Sydney. She is the author of four collections of poetry and has directed and edited several short films and documentaries. Her first feature film, My Tehran For Sale, was released in 2009.
Zara Houshmand is an Iranian-American writer who was raised in the Philippines and received her BA in English Literature from London University. Her most recent book is A Mirror Garden (A. A. Knopf, 2007), co-authored with Monir Shahroudy Farmanfarmaian. Her poetry has been published in the anthologies Let Me Tell You Where I've Been (University of Arkansas Press, 2006) and A World Between (George Braziller, 1999) and in journals including Caesura, Persian Book Review, West Coast Line, Di-verse-city, and Texas Observer. Her play The Future Ain't What It Used to Be was produced at the Burbage Theatre in Los Angeles (1986). Her translations from the Persian received the first commissioning grant from the National Theatre Translation Fund, and have been published in numerous journals and anthologies including Literature from the Axis of Evil (New Press, 2006), Words Without Borders (Anchor, 2007) and Strange Times, My Dear: The PEN Anthology of Contemporary Iranian Literature (Arcade, 2006). As editor for the Mind and Life Institute, she has been responsible for a series of books representing a longterm dialogue between Buddhism and Western science. She has also pioneered the development of virtual reality as an art form; her installation Beyond Manzanar (with Tamiko Thiel), now in the permanent collection of the San Jose Museum of Art, has been widely discussed in works on new media and critical theory.