February 2019
Narrative Missteps, Unconvincing Characters Plague Lina Wolff’s “The Polyglot Lovers”
Reviewed by Lily Meyer
A new novel by the Swedish author reads like a caricature of sexism in the literary world that ends up being as sexist as its misogynous protagonist.
January 2019
In “HELL,” Alasdair Gray Creates a Celtic, Wind-lashed Translation of Dante’s “Inferno”
Reviewed by Jamie Mackay
By fusing a dialect-laden verse with knowledge and respect for Dante’s original, the Scottish writer and illustrator has built a bridge across borders and nations.
November 2018
One-third Women, “The Milk Bowl of Feathers” Adds Provocative New Voices to the Surrealist Canon
Reviewed by Susan Aberth
Edited by Mary Ann Caws, this anthology delivers new insights into this radical movement and rectifies past omissions to its canon with more intellectually daring and provocative non-French and female voices.
“The April 3rd Incident” Showcases Yu Hua’s Daring and Unconventional Style
Reviewed by Andrew Hungate
This collection of early stories by the celebrated Chinese author shows a writer determined to make a name for himself in a literary world that at the time was rife with experimentation.
October 2018
Atrocity at a Distance, Absurdity Up Close in Dubravka Ugresic’s “American Fictionary”
Reviewed by Jeff Tompkins
In this book of essays, Ugresic juxtaposes reflections on the fate of her country with observations on everyday life in America.
In “Resistance,” Julián Fuks Takes the Fiction of Failed Writing a Step Further
Reviewed by Lily Meyer
The Brazilian-Argentine writer's novel resists drama. It resists the impulse to exaggerate, maybe even the impulse to tell stories.
September 2018
“What’s Left of the Night,” by Ersi Sotiropoulos, Reimagines C.P. Cavafy’s Feverish Days in Paris
Reviewed by Lynne Diamond-Nigh
In this fictional account of the last days of a long journey through Europe undertaken by Cavafy in 1897, the Greek poet's struggle against conventions, social and personal, takes center stage.
“Do You Hear in the Mountains…,” by Maïssa Bey, Probes the Untold Pasts of Algerian History
Reviewed by Jocelyn Frelier
In this charged work of autofiction, Bey explores her ties with the Algerian War for Independence, during which her father was killed.
August 2018
Intimate Experience Feels At Once Palpable and Remote in Jin Eun-Young’s “We, Day by Day”
Reviewed by Peter Campion
"We, Day By Day" is Jin Eun-Young’s first full collection published in English. Early on, she encountered Korean poetry of the 1980s and its spirit of political protest and carried the conviction and intensity of those verses into more mysterious, interior realms.
July 2018
Gunnhild Øyehaug Flirts with Hollywood While Considering the Essence of Life in “Wait, Blink”
Reviewed by Ane Farsethås
In her novel "Wait, Blink", Norwegian writer Gunnhild Øyehaug devises a whimsical, yet earnest probe into the human condition, filled with a dizzy range of topics. From golf books to “the essence of life”, from Tarantino to Dante, passing though fictions about the dream life of president George W. Bush and the childhood of literary theorist Paul de Man, it’s all equally worth a moment of curious observation.
June 2018
A Quietly Radical Tale of the Rise and Fall of Communist Russia in Eugene Vodolazkin’s “The Aviator”
Reviewed by Sam George Jackson
Born in 1900, Innokenty Petrovich Platonov wakes up one day to find himself in a modern hospital, in 1999, with the body of a young man and memories that barely reach the 1930s. As he strives to figure out what happened to him, personal memories and historical investigation combine to create a harrowing narrative of Russia's history in the XX century, from the makings of revolution to the collapse of the Communist regime. "The Aviator" is a quietly radical novel, which challenges contemporary official narratives about Russia's past.
Gaël Faye’s Debut Novel, “Small Country,” Sets a Coming-of-Age Story amid the Rwandan Genocide
Reviewed by Emily Roese
A French bestseller and winner of the Prix Goncourt des Lycéens, "Small Country" holds a mirror to the childhood of the Burundi-born rapper and author Gaël Faye, who emigrated to France with his French father, Rwandan mother, and younger sister in the 1990s. They were a Tusi family living in Burundi and decided to flee when they realized that the conflicts in war-torn Rwanda threatened their lives. In his perceptiveness, developing love of literature and nostalgia for a pre-war idyll, Gaby calls as much to Faye’s history as it does to the artistic career he would follow.
May 2018
“Bad Words” Illuminates Ilse Aichinger’s Bouts with the German language after the War
Reviewed by Anne Posten
Austrian writer Ilse Aichinger was an important figure in the “Gruppe 47,” the seminal meetings that significantly shaped post-war German literature, but remains largely unknown outside of the German-speaking word. The late short prose works collected in "Bad words" show how she grappled with a language grown unusable and unruly after the horrors of the Second World War. In her daring and masterful texts, Aichinger wrote against or through a language that could no longer be trusted; a language become foreign, which could only be reclaimed through further foreignization—or through silence.
April 2018
In “Moon Brow,” Shahriar Mandanipour Recounts the Iranian Revolution Through the Fragments of Trauma
Reviewed by Damara Atrigol Pratt
"Moon Brow", by Shahriar Mandanipour, recounts the recent history of Iran through a fragmented narrative structure that emulates the disjointed remembrances of trauma. While the political facets of its story report the grim consequences of the Iranian Revolution, the physical and emotional world described in the novel is alive with vivid and provocative encounters. The book offers beauty while confronting the ugliness of revolution, oppression, and war.
Julián Herbert Watches Over His Dying Mother and Casts a Sharp Eye on Mexico in “Tomb Song”
Reviewed by Ángel Gurría-Quintana
In "Tomb Song", Julián Herbert combines a visceral lament about his mother's death from leukaemia with a scathing portrayal of Mexican society. The book’s title plays on the Spanish expression for a lullaby – a cradle song. Except that here the narrator – also named Julián Herbert – is keeping vigil over his dying mother in a hospital room in the north-eastern Mexican city of Saltillo, and writing the book as a way of finding comfort while coming to terms with her life.
March 2018
“My Little Small,” by Ulf Stark and Linda Bondestam, Tells a Sweet Fable with Philosophical Musings
Reviewed by Mary Ann Scheuer
Ulf Stark and Linda Bondestam’s sweetly eccentric picture book "My Little Small" tells the story of a creature who lives alone in a cave until she befriends a sun spark. On the surface, it’s a story of finding a small friend to care for. Dig a little deeper, and Stark’s philosophical ruminations come through.
“The Song of Seven,” a Children’s Classic by Tonke Dragt, Considers the Joy and Perils of Fiction
Reviewed by Evan Kleekamp
In "The Song of Seven," a classic of children's literature by Dutch author Tonke Dragt, a schoolteacher woos his students with stories about his heroic alter ego. The division between the teacher and his adventuring alias disappears when a mysterious count summons enters the scene. Through the mishaps of her narrator and protagonist, Dragt explores the means and ends of storytelling.
February 2018
Yoko Tawada’s Dystopian Novel “The Emissary” Delivers a Bitingly Smart Satire of Present-Day Japan
Reviewed by Andrew Hungate
In a Japan that has once again closed its borders to the outside world, the infant Mumei and his great-grandfather Yoshiro face the perils of a dysfunctional society that seems hauntingly familiar
Well-Meaning Plans Give Way to Destructive Obsessions in Andrés Barba’s “The Right Intention”
Reviewed by Jeff Tompkins
The destructive consequences of his character's obsessions, traced with an almost clinical precision, are the substance of Barba’s absorbing, unnerving stories.
January 2018
In Sangeeta Bandyopadhyay’s “Abandon,” a Destitute Woman’s Desire to Write Clashes with Motherhood
Reviewed by Darren Huang
Since her debut novel, Shankini (2006), the Indian writer Sangeeta Bandyopadhyay has been exploring female sexuality with an uncompromising and subversive vision.