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WWB Daily: Past Posts

Nov, 2017

Why I Write in English
Ge Gao
Speaking English Is Like
Ge Gao
Owning a Borrowed Language
Joni Cham
From “In My Mother’s House”
Joni Cham
Living and Writing on the Colonizer’s Soil
Saïkou Yaya Baldé
Two Poems
Saïkou Yaya Baldé
The City and the Writer: In Málaga with José Sarria
Nathalie Handal
On Translating the Stories Yet Unwritten: A Dalit Perspective from India
Mimi Mondal
From “Other People”
Mimi Mondal
The Translator Relay: Steve Savage
Jessie Chaffee
Maps for Storytelling: An Interview with John Freeman
Francesca Pellas
The Watchlist: November 2017
M. Bartley Seigel
First Read—From “Translation as Transhumance”
Mireille Gansel
Behind the Art: “Chasing Dreams”
Saba Farhoudnia
From One to Many for One: Teaching Translation through Multiple Translations
Martha Collins
The City and The Writer: In Oslo with Erling Kittelsen
Nathalie Handal
Honoring Jill Schoolman with the 2017 Ottaway Award
Edwin Frank
The 2017 Words Without Borders Gala & Globe Trot
Words Without Borders
A Speedboat to China—From Murakami to Furukawa
David Boyd

Oct, 2017

Haunting, Japanese Style
Susan Harris
My Life as an Intellectual
Elvira Vigna
To the Farthest Reaches: On Translating Sergio Kokis
Hugh Hazelton
Meet the Writers Hosting the 2017 WWB Gala!
Words Without Borders
Between Present and Past: An Interview with Mohammed Hasan Alwan
Marcia Lynx Qualey
On Translating Yalçın Tosun’s “Muzaffer and Bananas”
Abby Comstock-Gay
On Translating Deniz Tarsus’s “The Canary”
Ayça Türkoğlu
The Translator Relay: Daniel Canty
Jessie Chaffee
The City and the Writer: In Geneva with Raluca Antonescu
Nathalie Handal
The Watchlist: October 2017
M. Bartley Seigel
“World going to fall apart?”—A Multilingual Most Exquisite Corpse Story
Na Zhong, Lucrecia Zappi, Georgi Gospodinov, and Claudia Salazar Jiménez
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