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WWB Daily: Past Posts

May, 2018

Tarsila do Amaral: Translating Modernism in Brazil
Elisa Wouk Almino
2018 Man Booker International Prize Q&A—Antonio Muñoz Molina
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Camilo A. Ramirez
Eric M. B. Becker
Interviews with 2018 Man Booker International Prize Finalists
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Ahmed Saadawi
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Jonathan Wright
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Deborah Smith
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Virginie Despentes
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Frank Wynne
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Olga Tokarczuk
Eric M. B. Becker
2018 Man Booker International Prize Q&A—Jennifer Croft
Eric M. B. Becker
The Watchlist: May 2018
Tobias Carroll
WWB Campus Receives Honorable Mention for National Book Foundation’s Innovations in Reading Prize
Words Without Borders
The City and the Writer: In New York City with Jonathan Galassi
Nathalie Handal
First Read—From “The Baghdad Clock”
Shahad Al Rawi
Before Han Kang: Three Korean Modernists You Should Know
Esther Kim
Words Without Borders Celebrates 15 Years of Publishing New International Writing
Words Without Borders
The PEN World Voices Festival as it Happened: “Translation and the Power(s) of Language”
Núria Codina
Dispatches from the 2018 PEN World Voices Festival of International Literature
Words Without Borders
The City and the Writer: In Glasgow with Alan Parks
Nathalie Handal

Apr, 2018

The PEN World Voices Festival as It Happened: “Beyond Borges: Argentina’s Unsung Literary Greats”
Alessandra Bautze
The PEN World Voices Festival as it Happened: “Dystopian Fiction: Future Present Tense”
Nicholas Otte
The PEN World Voices Festival as It Happened: “The Trick of Translation”
Na Zhong
The PEN World Voices Festival as It Happened: “Theater in Translation as Resistance”
Alessandra Bautze
The PEN World Voices Festival as It Happened: A Staged Reading of “Goats”
Alessandra Bautze
Empty Hills—Deep Woods—Green Moss: William Carlos Williams’s Chinese Experiment
Jonathan Cohen
After Borges: Tamara Tenenbaum and the Search for a New Argentine Literature
Susannah Greenblatt
The Most Dangerous Dream of All—A Multilingual Most Exquisite Corpse Story
Sergio Chejfec, Maria Cabrera, Basma Abdel Aziz, and Petra Hůlová
An Interview with Petra Hůlová
Jessie Chaffee
When Translation Becomes Homage
Chantal Ringuet
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