132 Nonfiction entries in Graphic Lit February, 2020 A Seam of Light and Black (Graphic Lit) By Moussa Kone and Walter Pamminger and Bastian Schneider | February 4, 2020 The outlooks and the insights need to be revised. Contacts (Graphic Lit) By Mélanie Leclerc | February 4, 2020 It's as if my childhood was preparing me for the camera, the photo, the image, and the documentary. South of Alameda (Graphic Lit) By Lola Larra and Vicente Reinamontes | February 4, 2020 But three days ago, everything changed. The View (Graphic Lit) By Marlon Hacla and Apol Sta. Maria | February 4, 2020 An escalating inquiry into the passage of time. Crocodiles Are Everywhere (Graphic Lit) By Juliette Boutant and Thomas Mathieu | February 4, 2020 He's touching me. Beirut Trilogy (Graphic Lit) By Barrack Rima | February 4, 2020 Protests against the government's incompetence multiply. December, 2019 St. Barbara (Graphic Lit) By Marek Šindelka and Vojtěch Mašek and Marek Pokorný | December 3, 2019 It's not your job to solve this case. Factproof (Graphic Lit) By Jake Raynal | December 3, 2019 Like most gruesome crimes, the case also reveals something of society’s ills. February, 2019 From After the Spring: A Tunisian Youth (Graphic Lit) By Hélène Aldeguer | February 1, 2019 He was 27! Just 27! Barely older than us! Scenes from Schlechtfreund (Graphic Lit) By Vojtěch Mašek and Džian Baban | February 1, 2019 At least five hundred pages, otherwise there's no point! From “Grass” (Graphic Lit) By Keum Suk Gendry-Kim | February 1, 2019 I had no idea I wouldn't be coming back. From City of Fear (Graphic Lit) By Didier Kassaï | February 1, 2019 The troops were led by poachers, tea-sellers, thrift store owners, and ex-convicts who'd turned into officers. Translator's Note: Didier Kassaï's Storm Over Bangui is a comprehensive chronicle of the instability of the Central African Republic following the overthrow of President François Bozizé in 2013 and the beginning of a civil war which continues unabated to this day. Kassaï, an artist from Bangui, the CAR's capital, takes us on a tour of his country's recent history, depicting the rise of Séléka Muslim militias and the Anti-balaka Christian militias that arose in response to them,... A Love-Hate Relationship (Graphic Lit) By André Diniz | February 1, 2019 I prefer a Paulistano's frown over a Carioca's smile. July, 2018 Painful Games (Graphic Lit) By Lena Merhej | July 1, 2018 A shattering pain, or intense euphoria February, 2018 Scandorama (Graphic Lit) By Hannele Mikaela Taivassalo and Catherine Anyango Grünewald | February 1, 2018 It's almost impossible to get in, but getting kicked out is easy. Spit Three Times (Graphic Lit) By Davide Reviati | February 1, 2018 They're not made to live in houses like we are. Knock ‘em Dead (Graphic Lit) By Lucie Lomová | February 1, 2018 I know he's a faker, but missing the premiere . . . The Hundred-Hour War (Graphic Lit) By David B. and Jean-Pierre Filiu | February 1, 2018 In April 1991, Saddam Hussein took back control of his country in its entirety. January, 2018 The I-Formula (Graphic Lit) By Thomas von Steinaecker and Barbara Yelin | January 2, 2018 Now, suddenly, everything was perfectly logical. July, 2017 from Abadaringi (Graphic Lit) By Jeroen Janssen | July 1, 2017 "There are things you mustn't ask questions about. Some people get sad." The Belgian graphic novelist Jeroen Janssen first traveled to Rwanda in 1990. Both he and his then-wife taught at an art school in Nyundo for four years until they were forced to flee. In 2007 he returned and revisited the school and the surrounding area. Abadaringi collects his impressions from that and subsequent visits. Page 1 of 7 pages 1 2 3 > Last ›
