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January 2011

The Work Force

Image: Helena Hugo, Tractor, 75cm x 110cm, Pastel on board

As the holidays end and the new year begins, we bring you back to work with tales of employment from around the world. Whether loathed or loved, work provides both livelihood and identity; and in times of economic depression and shrinking labor markets, jobs assume even greater importance, determining both personal and political stability. Whether reinventing themselves in a new economy or sticking it out in an old one, the characters here demonstrate the variety of the international work force. Colombian journalist Andrés Felipe Solano goes undercover in a Medellín factory. Milica Mićić Dimovska’s shopkeepers recycle used clothes for new clients. Ángela Pradelli's suddenly jobless woman goes into business as a bather. José Pérez Reyes describes a cabbie's strangest fare. In two tales of returning natives, Djibouti’s Abdourahman A. Waberi sees an academic transformed into a spy, while Iraqi Najem Wali watches a disgraced activist turn teacher. From London, Rebecca Carter explores the tremendous cultural differences from one country to another in the art of editing. In an extract from Patrick Hofmann’s Robert Walser Prize-winning novel, an earthy butcher slaughters a pig and enlivens a family. And on the flip side, François Bon charts French factory closings, and Quim Monzó paints a portrait of Catalan work stoppages.

Six Months on Minimum Wage

One afternoon I counted 1,253 items of clothing.

The Bather

Olga slid her soapy thumbs behind the man's ears and then, still using her thumbs, lightly stroked his earlobes.

Boutique Cinderella

She pulled on the dress playfully and it stirred there in the mirror, as if twitching with fright.

from “The Final Cut”

The butcher turned around, the kidneys in her left hand, the knife in her right.

from “Kumait”

After reading Crime and Punishment when he was a student he had contemplated killing Umm Husayn.

A World of Editing

It is clear that there is a strong link between the strength of a novelistic tradition in a country and the power of the editor.

In Hock

“You probably won’t believe it, but the strangest thing that happened to me was actually in broad daylight.”

from “Passage of Tears”

My mission consists in feeling out the temperature on the ground, making sure the country is secure, the situation is stable, and the terrorists are under control.

from “Daewoo”

“And this word, superfluous, the way it sticks to you . . .”

Landscape with Strikers

On the sidewalks lie piles of uncollected garbage in enormous black bags, some of them split open.


Book Reviews

Modern Poetry of Pakistan

Reviewed by Swetha Regunathan

For a country often drawn in newspapers as the backdrop of mosque and market bombings, troubled politics, and underdevelopment, poetry seems to waft through every aspect of Pakistani life.

Atiq Rahimi’s “A Thousand Rooms of Dream and Fear”

Reviewed by Shaun Randol

To traverse the fractured mind of Farhad, the protagonist and narrator of Atiq Rahimi’s latest novel, is to glimpse the broken soul of a battered and confused country.

Aharon Shabtai’s “War & Love, Love & War”

Reviewed by Fiona Sze-Lorrain

Aharon Shabtai’s new poetry collection War & Love, Love & War is, as its title suggests, a book full of reversals and inversions.

Recent Issues

Animal Kingdom

Our Nueva York: Writing the City in Spanish

The Language of Identity: Kaaps Writing from South Africa

Voices on the Verge: Writing from Southeast Asian Creole Languages

The Slow Burn of Inner Chaos: Writing from Malaysia

Backstories: Afro-Italian Women Writers

The Queer Issue XII

Movement and Multiplicity: Writing from Mauritania

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