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Words Without Borders “stands as a monument to international collaboration and a shared belief in artistic possibility.” 
— 2018 Whiting Literary Magazine Prize Citation

January 2012

Apocalypse

Image: Lori Nix, "Mall" 2010, Chromogenic Print, 40"x55," Courtesy of Lori Nix and ClampArt Gallery

With a nod to the doomsday prophecy, we're launching 2012 with writing about apocalypse. In two riffs on the Old Testament, André-Marcel Adamek builds a Belgian ark, while Fernando Paiva eulogizes the Creator. Ofir Touché Gafla counts down the hours in a runaway city. Sławomir Mrożek awaits the end of days at McDonald's. Hector G. Oesterheld and Solano Lopez depict a deadly snowfall in Buenos Aires. Gyrðir Elíasson sees banned books in Iceland's future. Antônio Xerxenesky exposes a conspiracy to rewrite a famous ending. And Mexico’s Ambar Past provides an incantatory oracle. We trust you’ll enjoy these apocalyptic visions; and if not, well, it’s not the end of the world. Elsewhere, Luis Nuño slips out for a smoke, Juan Villoro misses connections, and Alber Sabanoglu heads to sea.

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Book Reviews

Dubravka Ugresic’s “Karaoke Culture”

Reviewed by Jean Harris

Part of the allure is for the amateur to wrest the microphone away from the stars and, for a moment, to take their place in the limelight.

Tomás Eloy Martínez’s “Purgatory”

Reviewed by Anderson Tepper

On a certain level, "Purgatory" is a metaphorical ghost story—a meditation on loss, invisibility, and vanishing

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