Image: Samia Halaby, “Takheel I” 48” x 66" (2013)
This month we present new Palestinian writing from around the world, selected and introduced by Nathalie Handal. The eight young authors here work in multiple languages and hail from five continents, testifying to Palestinian literature’s vast thematic, stylistic, and linguistic range. In Jerusalem, Sousan Hammad maps a city and a heart, and Najwan Darwish dreams of the sea. From his exile in Reykjavik, Mazen Maarouf speaks of confinement and freedom. Yayha Hassan and Rodrigo Hasbún portray father-son alienation, and Asmaa Alghoul considers the cost of motherhood in wartime. Eyad Barghuthy finds an undefeated young boxer knocked out by politics. And Randa Abdel-Fattah speaks of her hybridized cultural identity as a Palestinian-Australian Muslim. We thank the A. M. Qattan Foundation for its generous support. In our special feature, we present new Bulgarian writing by Agop Melkonyan, Olya Stoyanova, Georgi Tenev, and Vlado Trifonov. We thank the Elizabeth Kostova Foundation for its generous support of the feature.
The Shape of Time: New Palestinian Writing
To comprehend Palestinian literature, we must have an idea of what it is to be Palestinian today.
A Map of Jerusalem
Memory—they tell me—has no translation.
Long Distance
“You’re not going to fool around with your friend’s girlfriend.”
bilingual
Writing the Lives of Gaza: Video Interview with Atef Abu Saif
Palestinian writer Atef Abu Saif reads from his work.
Solitary Confinement on the Seventh Floor
One day / I’ll tear off my lips / and eat them / like candy.
Both Freedom and Constraint: An Interview with Randa Abdel-Fattah
The older I get, the more I realize how hybridized my cultural identity is.
“Your Baby”
The phantoms behind the white sheet were moving more quickly now.
bilingual
A Knockout Punch
It was in New York that he learned the real ways of boxing.
bilingual
Life in Mount Carmel
Their poems reach me from their temple
Father My Unborn Son
A Stone-Age hand a paperback Koran
Book Reviews
Karel Schoeman’s “This Life”
Reviewed by Jonathan Morton
Max Blecher’s “Adventures in Immediate Irreality”
Reviewed by Dustin Illingworth
Magda Szabó’s “The Door”
Reviewed by K. Thomas Kahn
Han Kang’s “The Vegetarian”
Reviewed by Lori Feathers