Skip to content
Give readers a window on the world. Click to donate.

May 2015

New Palestinian Writing

Image: Samia Halaby, “Takheel I” 48” x 66" (2013)

This month we present new Palestinian writing from around the world, selected and introduced by Nathalie Handal. The eight young authors here work in multiple languages and hail from five continents, testifying to Palestinian literature’s vast thematic, stylistic, and linguistic range. In Jerusalem, Sousan Hammad maps a city and a heart, and Najwan Darwish dreams of the sea. From his exile in Reykjavik, Mazen Maarouf speaks of confinement and freedom. Yayha Hassan and Rodrigo Hasbún portray father-son alienation, and Asmaa Alghoul considers the cost of motherhood in wartime. Eyad Barghuthy finds an undefeated young boxer knocked out by politics. And Randa Abdel-Fattah speaks of her hybridized cultural identity as a Palestinian-Australian Muslim. We thank the A. M. Qattan Foundation for its generous support. In our special feature, we present new Bulgarian writing by Agop Melkonyan, Olya Stoyanova, Georgi Tenev, and Vlado Trifonov. We thank the Elizabeth Kostova Foundation for its generous support of the feature.

The Shape of Time: New Palestinian Writing

To comprehend Palestinian literature, we must have an idea of what it is to be Palestinian today.

A Map of Jerusalem

Memory—they tell me—has no translation.

Long Distance

“You’re not going to fool around with your friend’s girlfriend.”


Writing the Lives of Gaza: Video Interview with Atef Abu Saif

Palestinian writer Atef Abu Saif reads from his work.

Solitary Confinement on the Seventh Floor

One day / I’ll tear off my lips / and eat them / like candy.

Both Freedom and Constraint: An Interview with Randa Abdel-Fattah

The older I get, the more I realize how hybridized my cultural identity is.

“Your Baby”

The phantoms behind the white sheet were moving more quickly now.


A Knockout Punch

It was in New York that he learned the real ways of boxing.


Life in Mount Carmel

Their poems reach me from their temple

Father My Unborn Son

A Stone-Age hand a paperback Koran


Book Reviews

Karel Schoeman’s “This Life”

Reviewed by Jonathan Morton

The landscape to be explored is one shaped by nation and culture almost as much as it is by personal experience. This landscape, in Schoeman's novel, is one that crosses back and forth between the borders of the great semi-desert region known as the Karoo, which began to be settled and developed in the late-nineteenth century.

Max Blecher’s “Adventures in Immediate Irreality”

Reviewed by Dustin Illingworth

It would appear that to write about Blecher is, in some sense, to write about a broad swath of European modernists in a game of contextual one-upmanship.

Magda Szabó’s “The Door”

Reviewed by K. Thomas Kahn

The Door continues to be eerily resonant, as Szabó’s consideration of the changing sociopolitical terrain in 1950s–1960s Hungary speaks across borders of time and place.

Han Kang’s “The Vegetarian”

Reviewed by Lori Feathers

In her remarkable novel The Vegetarian, South Korean writer Han Kang explores the irreconcilable conflict between our two selves: one greedy, primitive; the other accountable to family and society.

Recent Issues

Animal Kingdom

Our Nueva York: Writing the City in Spanish

The Language of Identity: Kaaps Writing from South Africa

Voices on the Verge: Writing from Southeast Asian Creole Languages

The Slow Burn of Inner Chaos: Writing from Malaysia

Backstories: Afro-Italian Women Writers

The Queer Issue XII

Movement and Multiplicity: Writing from Mauritania

Like what you read? Help WWB bring you the best new writing from around the world.